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The musical group “Middle of the road” comes to Italy to compose and record the soundtrack of the film on the début of Fiat 127. In order to get the musicians acquainted with the 127, they are shown some footage of the new car, out of the assembly line and the testing drives. But we realize that Lorenzini often catches them with the same angle as Godard, when the French director shot the Rolling Stones recording “Sympathy for the Devil”. So Lorenzini attests his interests on experimental cinema and a kind of “aesthetic of ‘68”, already followed in Cronaca di un gruppo (1968).

Ennio Lorenzini (Rome, 1934-1982) after a beginning as assistant of Gian Vittorio Baldi, goes on working in the documentary field (Un luogo appartato, Edili, Una città da salvare, A Paolo Rossi nostro compagno, Non dirò il mio numero di matricola, until the long feature film Les algerins, 1965) and for television, trying a new reading of his political commitment according to the linguistic hypothesis of the new cinema, as shown by his only subject film: Quanto è bello lu murire acciso (1976), the history of the unsuccessful southern revolution supported by Carlo Pisacane.
Edizione 2003
Retrospettiva La celluloide e l'acciaio - Immagini del Cinefiat 1909-2003
DOCUMENTARY
Italy , 1971, 13'
REGIA/DIRECTOR
Ennio Lorenzini
TAGS:
Music, Car, Industry
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