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Chronique d’un été is a milestone in the history of cinema. Jean Rouch and Edgar Morin were among the first cinematographers to use audio-sync equipment together with a 16mm. camera. This work confirmed the decisive assertion of the “cinéma vérité” and of its methodoly, which stirred up an animated debate.‘Comment vis-tu?’(How do you live?) was the starting question asked to differing generations inthe1960’s,whileawaitingtheendofthewarinAlgeria.ThesurveyalsoinfluencedMarcelineLoridan, a formerly deported woman who later become a documentarist (she married Joris Ivens and took his surname). In the end, the directors met together to watch and comment on their film, while the war could perhaps finish the following year.
Edgar Morin, whose real name was Nahum, was born in Paris in 1921. Morin is the name he took on from a girlfriend during the Resistance. He joined the French Communist Party from which he was expelled in 1951 for an article he had wrote in the ‘France-Observateur’. He is a sociologist at the C.N.R.S. ( International Centre for the Scientific Research); in the 1950’s he carried out research work into fan-worship, young people and mass culture, for which he is still remembered today. He collaborated with the ‘France-Observateur’and then with the‘Nouvel Observateur’. In 1956, together with other deserters of the French Communist Party, he founded the magazine ‘Arguments’, published until 1962. In 1967, together with R. Barthes and G. Friedmann, he founded the magazine ‘Communications’. In 1988 he was appointed President of the Scientific Comittee for the new syllabus reform in secondary schools.
Edizione 2005
Retrospettiva Verità della finzione. Alle radici del cinema diretto
DOCUMENTARY
France , 1961, 90'
REGIA/DIRECTOR
Jean Rouch, Edgar Morin
TAGS:
Geographic Areas And People, Algeria
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