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Three very different works by Belgian artist Bob Verschueren that incorporate different plant materials from three very different places: a North Sea beach, an abandoned coal refuse site, an indoor playground. Retracing the cycle of inception, development, interaction with the surroundings and inevitable end, Dominique Loreau’s documentary film reveals how the three installations are interrelated, capturing the frailty of our world.
After graduating in film editing from INSAS, Brussels, in 1980, Dominique Loreau founded the production company Underworld in 1981. She directed short films Depart (1981), Le saut dans la vie (1984), Zigzags (1987), documentaries La folie des autres (1990) and Les fleures du malt (2000), and feature films Les noms n’habitent nulle part (1994) and Divine Carcasse (1998). She teaches journalism at the ISFSC, the Free University, Brussels, and the Académie d’été de Wallonie.
“The inspiration behind Bob Verschueren’s ephemeral installations echoed immediately within me. These frail constructions, the irony, the meticulous arrangement of such banal materials throw a stark light on our relationship with the things around us and reflect the conundrums of today’s society. Looking at his works, we see how far we have distanced ourselves from the ephemeral aspect of nature and we realize the frailty of our existence.”
Dominique Loreau
Edizione 2007
PANORAMA - AMBIENT/AZIONI
VIDEOART
Belgium , 2006, 48'
REGIA/DIRECTOR
Dominique Loreau
TAGS:
Natural elements and natural phenomenom, Landscape, Relationship Between Man And Nature
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