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In Order Not to Be Here is a sheer and uncompromised look at suburban nights. It grew out of a wish to understand why people find such dwellings desirable and ended as a meditation on privacy and comforts and the huge and uncanny powers of surveillance devices. This nightly movie faces the hermetic nature of white-collars dwellings, dissecting fears coming out of contemporary suburban design. This nightmare, travelling through the vacuum grown out of the middle class broad confidence in safety and in technology, has also been made up to blur and mix up the borders of movie genres, the means of expression, the audience feelings. It is a real small chef d’oeuvre about the absence which frightens and amazes while it shows a dangerous, hard way out.

Deborah Stratman is a filmmaker and artist born and based in Chicago. In 1996 She became an independent film-producer founding Pythagoras to foster her own works. Since 1990 this many-sided artist has completed more than a dozen film projects, both on sixteen-millimeter film and on video. Since 1996 she has widened her activities to video performances and radio. In 2003 San Francisco Cinematheque and the Pacific Film Archives of Berkeley have screened her whole work.
Edizione 2003
CONCORSO DOCUMENTARI CORTO/MEDIOMETRAGGI
DOCUMENTARY
United States , 2002, 23'
REGIA/DIRECTOR
Deborah Stratman
TAGS:
Science and technology , Technology
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