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Two years after Les glaneurs e la glaneuse and the effect the film had, the letters she was sent and the reactions and counter- reactions, Agnès Varda returns to examine the personalities met and the places seen and portrayed in her first film to find out what has changed in their lives and what has happened.The result takes the form of a voyage, another journey, as though random physical movement prompted by the feeling of the day, suggested by something said or thought, were the stuff of the film itself. A new contemplation of what remains or is abandoned but which finds renewed usage and a new lease of life. An even more personal and moving voyage on which Varda encounters new glaneurs and takes further her idea of glanage as a primary condition for film-making.
Agnès Varda, born in Brussels in 1928, before becoming a film-maker, worked for the National Popular Theatre in Paris as a stage photographer. Her first work La pointe courte (1954) is now considered by the critics an antecedent of the Nouvelle Vague. She rose to fame with Cleo from five to seven (1961), which shows the peculiar traits of her style. In Le Bonheur (1964), awarded with the Golden Bear at the Berlin Film Festival, she deals with the problems of domestic everyday life. But her most effective film is Vagabond (1985), awarded with the Golden Lion at Venice Festival. Since 1990 Agnes has completed a trilogy about Jacques Demy, her late husband, Jacquot de Nantes, L’univers de Jacques Demy, Les Demoiselles ont eu 25 ans. In 2000 she releases The Gleaners and I and in 2002 Deux Ans Après (Two Years After) which is an interesting exercise to explore what happens to a film, and the people connected to it, after its release.
Edizione 2003
CONCORSO DOCUMENTARI CORTO/MEDIOMETRAGGI
DOCUMENTARY
France , 2002, 60'
REGIA/DIRECTOR
Agnes Varda
TAGS:
cinema, Journey/Travel, Geographic Areas And People
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